Hi Friends, Write your own Genuine opinion about Oka laila Kosam Film. Write After you watched the movie only. Dont write seen reivews in various websites, Because they write favour reviews only one perticulor Hero. u know the Mega secret.
Karthik (Naga Chaitanya) is he who loves the very word Freedom for the first few minutes (so that there can be had a number on freedom), then starts loving exclusively the Laila of his life, albeit his less-than-normal attempts to catch her (two times, he seems to lose her out because he is not willing to run much) look contrived so as to make it possible to have a remix song reminding us of Balu but not ANR. Finally, there is one funny maternal uncle (played by Ali) who comes with a frivolous past and who now wants to play the spoilsport to no meaningful filmi effect.
Nandhini (Pooja Hegde) is she who hates flirts so much so she doesn't even clearly say why she hates a flirt when a known flirt (real or presumed) and his family tell her "I (We) love you". The film goes on and on till the day she discovers the diary (err.. book) with the ultimate secret.
Karthik and Nandhini come from lovely families and they can't do anything that causes trauma to their respective elders. Nandhini is caught in a quandary as her father's liking for Karthik makes the things all the more difficult. Sayaji Shinde as her father gets to play yet another routine role, even as Suman as Chai's father doesn't make an impact.
In a normal world, a normal girl shouldn't find much difficulty talking to a boy from an extra-respectable family the reason why she finds it hard to accept him. It is inconceivable why such a boy shouldn't be able to convince her of his honesty and decency with so much of human resources and his own artistic brain at his disposal. Of course, he does visually and metaphorically display his love for her but the fundamental vacuity persists in the audience's mind all through.
Coming from a big banner, OLK boasts of excellent cinematography. The songs are picturized well and given the weakness of the script, they are well conceived. Chai's improvement shows itself in all of the songs and Pooja's gorgeous looks add to the grace of each song.
A bevy of comedians struggle to make us laugh. Ali, Vennela Kishore, Sathyam Rajesh and others are seen in
Karthik (Naga Chaitanya) is he who loves the very word Freedom for the first few minutes (so that there can be had a number on freedom), then starts loving exclusively the Laila of his life, albeit his less-than-normal attempts to catch her (two times, he seems to lose her out because he is not willing to run much) look contrived so as to make it possible to have a remix song reminding us of Balu but not ANR. Finally, there is one funny maternal uncle (played by Ali) who comes with a frivolous past and who now wants to play the spoilsport to no meaningful filmi effect.
Nandhini (Pooja Hegde) is she who hates flirts so much so she doesn't even clearly say why she hates a flirt when a known flirt (real or presumed) and his family tell her "I (We) love you". The film goes on and on till the day she discovers the diary (err.. book) with the ultimate secret.
Karthik and Nandhini come from lovely families and they can't do anything that causes trauma to their respective elders. Nandhini is caught in a quandary as her father's liking for Karthik makes the things all the more difficult. Sayaji Shinde as her father gets to play yet another routine role, even as Suman as Chai's father doesn't make an impact.
In a normal world, a normal girl shouldn't find much difficulty talking to a boy from an extra-respectable family the reason why she finds it hard to accept him. It is inconceivable why such a boy shouldn't be able to convince her of his honesty and decency with so much of human resources and his own artistic brain at his disposal. Of course, he does visually and metaphorically display his love for her but the fundamental vacuity persists in the audience's mind all through.
Coming from a big banner, OLK boasts of excellent cinematography. The songs are picturized well and given the weakness of the script, they are well conceived. Chai's improvement shows itself in all of the songs and Pooja's gorgeous looks add to the grace of each song.
A bevy of comedians struggle to make us laugh. Ali, Vennela Kishore, Sathyam Rajesh and others are seen in
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